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dc.contributor.authorBoner, Ulrichen_US
dc.contributor.authorFouquet-Plümacher, Dorisen_US
dc.date.accessioned2016-01-25T19:58:56Z
dc.date.available2016-01-25T19:58:56Z
dc.date.issued1461en_US
dc.identifier.other6739 (Access ID)en_US
dc.identifier.urihttp://hdl.handle.net/10504/82050
dc.description.abstractThis book was my bible for a month in the summer of 2009 as I prepared a paper for the Renard Society on Boner's Der Edelstein. Actually, I had scanned the facsimile into my computer before I left. Then in Mannheim I worked through about three fables and their illustrations per day. This is a beautifully made book! The original was published by Albrecht Pfister in Bamberg. Maybe the best testimony I can give to the quality of these reproductions is that I made my own set from the scans of this facsimile but also ordered a set from the library that has the world's only known copy of this book, the Herzog August Bibliothek in Wolfenbüttel. The scans of the reproductions were better than the pictures of the original! This is the first illustrated book ever printed, and it may be the first book ever published in German. For me the great quality of this book is its illustrations and especially their coloring. Exquisitely done! Commentators note that the woodcut maker is not particularly adept at animals; it is often hard to decipher from a woodcut which animal is being pictured. But his humans are excellent! They are often pictured from the back. The colorist's great gift is shading within a specific color. As I mentioned in my Renard paper given in Utrecht, this is an unusual book: it has no title-page, no page numbers, no sentence punctuation, no end stops for its poetry, and no titles for its fables. The woodcuts serve as the great markers. There is a raised dot for the end of each line of verse and -- when the rubricator remembers - a line through the first letter of the new line following. There is a companion volume, which I will list separately. Together the two books make up a boxed set. See Bodemann #1.1. There is a second, distinct edition a few years later with new woodcuts, and there is also only one copy of that edition, in Berlin.en_US
dc.description.statementofresponsibilityUlrich Boneren_US
dc.languagegeren_US
dc.publisherMüller and Schindleren_US
dc.publisherOriginal: Albrecht Pfister; Reproduction: Verlag Müller und Schindler/Buchdruckerei Holzeren_US
dc.subject.lccPT1507.B7 E34 1461aen_US
dc.titleDer Edelsteinen_US
dc.typeBook, Whole
dc.publisher.locationOriginal: Bamberg; Reproduction: Stuttgarten_US
dc.description.noteLanguage note: Germanen_US
dc.url.link1http://creighton-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/search.do?fn=search&ct=search&initialSearch=true&mode=Basic&tab=default_tab&indx=1&dum=true&srt=rank&vid=01CRU&frbg=&tb=t&vl%28freeText0%29=991005377339702656&scp.scps=scope%3A%2801CRU%29%2Cscope%3A%2801CRU_ALMA
dc.acquired.locationKunstantiquariat Joachim Lührs auf der Fleetinsel, Hamburg, Germanyen_US
dc.cost.otherCost: €400en_US
dc.cost.usCost: $579.97en_US
dc.date.acquired2009-04en_US
dc.date.printed1972en_US
dc.description.bindingThis is a hardbound book (hard cover)en_US
dc.description.note3Boxed set; #429 of 950en_US
dc.identifier.bodemannBodemann identifier cf. 1.1en_US
dc.printer.locationWeiler im Allgäu / Stuttgarten_US
dc.subject.local1Aesop and Ulrich Boneren_US
dc.time.yr1461


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