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dc.contributor.advisorHubeuka, Lloyden_US
dc.contributor.authorRiley, Eleanor M.en_US
dc.date.accessioned2016-01-29T18:54:43Z
dc.date.available2016-01-29T18:54:43Z
dc.date.issued1966en_US
dc.identifier.urihttp://hdl.handle.net/10504/84396
dc.description.abstractFlannery O'Connor, a recent Southern writer, gives evidence in her fiction and in her statements on aesthetics that she has a message vital to modern man. This message, a faith-oriented interpretation of the meaning of man, is conveyed through three basic concepts: Reality, Redemption, and Shook. An understanding of Miss O'Connor's work must focus around this Southern writer's perspective on these key concepts and their treatment in her works. It is the purpose of this paper to clarify and to explain the meaning of these concepts and to show how they function in her work in order that Miss O'Connor's intuition1 of Reality, Redemption, and Shock may stand revealed. Reality and Redemption are the what or matter of her fiction, while Shock is the how or method of her writing.en_US
dc.language.isoen_USen_US
dc.publisherCreighton Universityen_US
dc.rightsA non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above.en_US
dc.titleThe Fiction and the Aesthetic Principles of Flannery O’Connor: A Study in Theory and Practiceen_US
dc.typeThesis
dc.publisher.locationOmaha, Nebraskaen_US
dc.description.noteProQuest Traditional Publishing Optionen_US
dc.contributor.cuauthorRiley, Eleanor M.en_US
dc.degree.levelMA (Master of Arts)en_US
dc.degree.disciplineEnglish (graduate program)en_US
dc.degree.nameM.A. in Englishen_US
dc.degree.grantorGraduate Schoolen_US


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